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| Film Daily, 11-June-1922 |
This post is part of the Ninth Annual Buster Keaton Blogathon, hosted by Lea at Silent-ology. It is amazingly impressive to me to see a blogathon go on for nine years.
For the first annual blogathon, I wrote about Buster Keaton's time in vaudeville: The 3-4-5 Keatons.
For the second annual blogathon, I wrote about Buster Keaton and the Passing Show of 1917, the show he signed for after leaving vaudeville.
For the third annual blogathon, I wrote about Buster's transition from vaudeville to the movies, Buster Keaton: From Stage to Screen.
For the fourth annual blogathon, I wrote about Buster Keaton's time in the US Army: Buster Keaton Goes to War.
For the fifth annual blogathon, I wrote about Buster Keaton's time making short comedies with Roscoe Arbuckle, Comique: Roscoe, Buster, Al and Luke.
For the sixth annual blogathon I wrote about Buster Keaton's First Feature: The Saphead
For the seveth annual blogathon I wrote about Buster Keaton's Silent Shorts -- Reel One, a series of films produced during 1920-1921. Buster and his team had a very high batting average.
For the eighth annual blogathon, I started to write about the Buster Keaton shorts produced for the second season, 1921-1923. Buster Keaton's Silent Shorts -- Reel Two
For the ninth annual blogathon, I have written about the rest of the Buster Keaton shorts produced for the second season, 1921-1923. Last year I was interrupted by appendicitis:
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