Showing posts with label Marx Brothers. Show all posts
Showing posts with label Marx Brothers. Show all posts

Sunday, May 19, 2024

"I'll Say She Is" Is Energetic, Expensive Hodge-Podge -- May 19, 2024

New York Daily News, 19-May-1924

100 years ago tonight, on 19-May-1924, at the Casino Theater on Broadway at West 39th Street, the Marx Brothers opened their "Laughing Revue," I'll Say She Is. This marked the brothers' transition from vaudeville to the legitimate theater.

Brooklyn Daily Eagle, 16-November-1924

Brooklyn Eagle theater critic Arthur Pollock had some interesting comments. I'm not sure he liked it. 

The New Plays
by Arthur Pollock


"I'll Say She Is."

The Marx Brothers, the customary four, brash funny fellows, are the featured players in a elaborately dressed-up burlesque show that came to the Casino Theater in Manhattan last night. Perhaps it isn't fair to brand "I'll Say She Is" burlesque show, since it has long been difficult to tell the difference between a burlesque show and a revue anyhow. But the moment the curtain rises and a group of chorus ladies dash on and let loose their voices and their legs "I'll Say She Is" defines itself. these girls have the burlesque air and the burlesque manner and, they have had, evidently, burlesque tutoring. They are noisy and lively.

Thereafter the Marx Brothers let it be known that there is a girl in the cast who wants a thrill. The scenes that follow are designed to give it to her. Regular burlesque stuff! The difference is that the scenery and costumes cost a great deal of money and the girls are beautiful. "I'll Say She Is" offers some of the best legs of the season. It is a boisterous show, full of heavily emphasized humor and lots of it. It ought to provide fun for Manhattan audiences all summer.

Of the four Marx Brothers three made hits last night. Julius offered, among other things a loud burlesque of Napolean and his reactions to the philanderings of Josephine, which kept the audience happy for a good half hour. In the same burlesque, Leonard Marx exhibited skill and certain comic gifts at the piano and Arthur Marx did stunts with a harp. Arthur is the funniest of the brothers, a clever pantomimist, deft and economical with his effects, a fine recruit for the variety stage.

There is a variety of color and song in the show, most of it aimless, all of it loud in one way or another but all of it, also vigorous and healthy. There was a Chinatown scene, of course, in which Cecile D'Andrea and Harry Walters dance a "Chinese Apache Dance." This proved striking and it is just possible that it will strike the police as indecent. Miss D'Andrea is a pretty girl, hardly indecent, even when her clothes begin to fall.

It might be mentioned that the book and lyrics are by Will B. Johnstone, though he appears to have written only what the Marx brothers could not think of for themselves, and his writing is dull. Tom Johnstone wrote the music, much of it, that is, as is not borrowed from the works of more famous and meritorious composers. No one of the songs sounded last night as if it was destined to be a hit.

"I'll Say She Is" is energetic, expensive hodge-podge.


Brooklyn Standard-Union, 20-May-1924


Thursday, May 15, 2014

International Day of Laughter, 2014 -- May 15, 2014


100 years ago, on 15-May-1914, vaudeville monologist Art Fisher allegedly gave the Marx Brothers, Leonard, Arthur, Julius and Milton and became Chico, Harpo, Groucho and Gummo.  The baby of the family, Herbert, later got the nickname Zeppo.  Fisher may have been inspired by Gus Mager's comic strips like Knocko the Monk, Sherlocko the Monk and Groucho the Monk. 

This John Decker cartoon, from the October, 1924 Motion Picture Classic, shows the brothers in their first Broadway show, I'll Say She Is.  Zeppo is identified as Beppo.  Be sure to click on the image to see a larger version. 

Friday, August 19, 2011

Marx #1 -- August 19, 2011


One hundred years ago today the Three Marx Brothers appeared at the Pantages Theater in Tacoma. "Fun in High School" (sometimes spelled "Fun in Hi Skule") was probably their earliest on-purpose comedy act in vaudeville.

From the 19-August-1911 Tacoma Times.

Monday, April 19, 2010

Grauman's Chinese #9 -- April 19, 2010


The Four Marx Brothers were working for Paramount when they left their hand and footprints in the forecourt of Grauman's Chinese on 17-February-1933. The photo is a little hard to make out, but starting in the upper left corner and going clockwise, we see Groucho's footprints, then Harpo's (he appears to have been barefoot), then Chico's, then Zeppo's. Youngest brother Zeppo left the act after their next movie, Duck Soup. DSCN4143.

I took this on 18-July-2009.