Monday, February 28, 2011
Sunday, February 27, 2011
Saturday, February 26, 2011
The Harvey Process was a method of treating armor plate which produced a hardened face and a more elastic back which could prevent splinters from flying through the ship. The Holzer shot was a type of armor piercing ammunition.
CLOTHING THE BIG BATTLE-SHIP.
THE OREGON'S HARVEYIZED NICKEL EIGHTEEN-INCH STEEL PLATES
ARE ALMOST INVULNERABLE.
Small Slabs of Blue-Gray Metal That Will Shield the Gunners.
The battle-ship Oregon, the next floating fighter from the Union Iron Works, is fast progressing toward the day of her completion. Even from the unfinished condition there is shadowed forth a promise of what the great steel destroyer will be when she springs full armed and equipped from the hands that molded her from shapeless masses of unsightly metal.
She is now taking on her first tier of forward turret plates, steel, and case hardened by the Harvey process. These small slabs of blue-gray metal are each 12 feet long, 8 feet wide, 18 inches thick and weigh 30 tons. The great density of this impenetrable armor can be readily understood when in recent tests a forged steel projectile which perforated uninjured with considerable velocity seventeen inches of wrought iron was broken like glass by the hard face of a Harveyized nickel plate.
An eight-inch Holtzer shot, weighing 250 pounds, with a 7700 striking velocity and an energy of 5008 foot-tons and a calculated perforation through 11.71 inches of steel, was shivered against a 10-ton plate.
A sample Harveyized plate, 10 feet long by 6 feet broad by 14 inches thick, representing 250 tons of nickel plate, was tested with three 500-pound steel shots from a 10-inch gun, with a striking velocity of 1400 feet per second. The penetration was slight and the projectiles were considerably damaged.
The 18-inch steel coating, weighing 420 tons, which is being riveted to the Oregon's forward turret, is valued at $140,000; costly but ample protection for the two 13-inch guns stationed there.
Friday, February 25, 2011
Thursday, February 24, 2011
Wednesday, February 23, 2011
Tuesday, February 22, 2011
"Over grown military establishments are under any form of government inauspicious to liberty, and are to be regarded as particularly hostile to republican liberty." -- George Washington
Monday, February 21, 2011
Sunday, February 20, 2011
Saturday, February 19, 2011
Friday, February 18, 2011
Thursday, February 17, 2011
Wednesday, February 16, 2011
Tuesday, February 15, 2011
Hammett found success as a writer, which allowed him to quit the advertising racket, by publishing stories, especially in Black Mask, a pulp magazine.
How did Hammett's stories and the movies made from them reflect the five features of film noir?
4. Ambivalent - Sam Spade's partner Miles Archer followed Floyd Thursby down Burrett Street, seen above in 2010. The police had Spade come to identify Archer's body. The police were surprised that Spade did not want to go down the slope that existed on the left before the present buildings went up to inspect Archer's body. Spade later explained his ambivalence: "When a man's partner is killed he's supposed to do something about it. It doesn't make any difference what you thought of him. He was your partner and you're supposed to do something about it. Then it happens we were in the detective business. Well, when one of your organization gets killed it's bad business to let the killer get away with it. It's bad all around-bad for that one organization, bad for every detective everywhere."
According to researchers like Don Herron of the famous Hammett Walking Tour, Spade and Archer's office was in the Hunter-Dulin Building, seen behind the former headquarters of Crocker Bank. The building was also the home of NBC's West Coast Orange Network.
In 2007, the San Francisco Arts Commission (http://www.sfartscommission.org/) set up a series of posters representing characters from Dashiell Hammett's The Maltese Falcon (one of my favorite novels). Artist Owen Smith made this image to represent gunsel Wilmer and detective Sam Spade.
In a bit of ambivalent wording, Spade refers to Casper Gutman's gun-toting little boyfriend Wilmer as a "gunsel." Readers of the book and later the Breen Office, which administered the Production Code, assumed that "gunsel" refers to a gunman. Actually, it refers to a younger man kept by an older man.
On a larger scale, Hammett was a man of left-leaning attitudes, who later joined the Communist Party USA. Much of his work for Pinkerton involved breaking strikes. Talk about ambivalence.
Sam Spade ate a meal at John's Grill, which is still open on Ellis Street. Today it houses a replica of the black bird and offers the same meal that Spade ordered. Nothing to do with cruelty, just going on with Hammett's story.
Please consider donating to the Film Noir Foundation. We are raising money to restore The Sound of Fury, a film noir that should be better known.
Monday, February 14, 2011
Sunday, February 13, 2011
Saturday, February 12, 2011
Today is Abraham Lincoln's 202nd birthday. My favorite president.
An anonymous quote about Abraham Lincoln: "It never occurs to some politicians that Lincoln is worth imitating as well as quoting."
Today and tomorrow there is going to be a San Francisco History Expo at the Old Mint, Fifth and Mission, from 11am to 4pm. I hope to get there today. Many local history organizations will set up mini museums and there will be a 1929 Mack hook and ladder truck parked out front.
Friday, February 11, 2011
Thursday, February 10, 2011
Henry Van Der Weyde was a son of Doctor Peter Henri Van Der Weyde. After service in the American Civil War, Henry emigrated to England, where he became a pioneer in taking photographs using artificial light.
This article, from the 05-April-1882 Hawke's Bay Herald (New Zealand), mentions the use of "Vanderweyde patent windows." I have to find that patent.
This photo is from Tennis By John Moyer Heathcote et. al: "C. Saunders volleying the service from the pent-house."
Mr S. Carnell yesterday opened his new photographic studio in Shakespeare-road, in the premises recently occupied by Mr Cassin. He has had the place re-fitted and made most convenient for the uses of a photographer. There are waiting-rooms and retiring-rooms for ladies, and all the accessories of a complete establishment. The studio has been erected behind the main building, and the Vanderweyde patent windows have been repaired and utilised. The room is 17ft wide by 35ft long, and is, we believe, the largest studio in the Australian colonies. Determined to protect himself as far as possible from another disastrous fire, Mr Carnell has also built a brick strong-room for the reception of his more valuable instruments and appliances. We wish him every success in his new start in business.